Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts

Sunday, August 9, 2026

PJCA’s first International Multilingual Haiku Anthology 2026

Served as Editor, Curator, and Urdu Translator for Pakistan Japan Cultural ssociation(PJCA)’s first International Multilingual Haiku Anthology 2026 produced in collaboration with the Embassy of Japan in Pakistan. The anthology is the first of its kind in the country, featuring 657 haiku submissions by 335 poets representing 45 countries.

Additional responsibilities included:

  • Design, layout, and typesetting of the anthology
  • Urdu translation and editorial coordination
  • Writing regional section overviews
  • Coordination and correspondence with all contributors 
Lulu: https://shorturl.at/DhdM4

PJCA website: https://pjca-isb.org/pjca-1st-international-haiku-anthology-2026/



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Editorial Preface

Poetry has been an inspiring companion since my teenage years, when I began writing in English, Urdu, and Punjabi. From traditional poetry to Japanese-form micropoetry, this transition has enriched my creative expression, refined my voice, and expanded my artistic horizons. It has been a journey worth sharing, one that has allowed me to discover the best within myself and become one of the pioneers of Japanese-form micropoetry in English from Pakistan, receiving international recognition and accolades.

Among the poetry forms I practice, haiku has emerged as a powerful medium for awareness, simplicity, and connection. My engagement with this form deepened during my early literary years when Dr. Afzal Khan, British MP, encouraged me to explore social issues through haiku and share the stories of unheard voices. This guidance led to the publication of my award-winning debut haiku collection her fading henna tattoo by Robin Smith, a significant milestone in my creative expression. The experience deepened my connection with the wisdom of saijiki, where the changing seasons taught me to observe nature with mindfulness and express human experiences with greater understanding and compassion.

The same poetic vision that guided my creative expression found resonance while editing and curating the Pakistan Japan Cultural Association Islamabad’s first international multilingual haiku anthology. As a landmark initiative, this has been a deeply meaningful experience. It began as a simple thought and has transformed into a reality beyond my expectations. From its initial concept to the final collection, this endeavour enriched my understanding of collaboration, creativity, and connection through shared human experiences, while leaving me with invaluable memories to cherish.

Sakura Fubuki is not simply a haiku anthology; it nurtures a sense of belonging where poets capture fleeting moments of life, bringing together nature, humanity, and emotions through the symbolism of cherry blossoms. Reflecting the wabi-sabi of nature, the ma of silence, and the yūgen of human experience, this collection embraces the many shades of existence, from joy and beauty to sorrow and quiet farewells—exploring our relationship with nature, one another, and the universe.

Connecting with poets and engaging in creative dialogues with many of them about what shaped their haiku was a deeply rewarding experience. Their genuine approach and artistic insight reflected the true spirit of haiku. The Urdu and Japanese translations, along with photographs and images, enriched this anthology. While translating the poems into Urdu, I experienced the delicate art of translation, where capturing the spirit and essence of each poem requires sensitivity, creativity, and thoughtful interpretation across languages and cultures.

I extend my heartfelt gratitude to the Embassy of Japan in Pakistan, particularly H.E. Mr. Akamatsu Shuichi, Ambassador of Japan to Pakistan, for his kind appreciation, and to the PJCA Executive Team, Mr. Jamal Shah, and Mr. Mushtaq Moeeni, for their guidance and encouragement throughout this creative endeavour.

As editor and curator of PJCA’s First International Multilingual Haiku Anthology, I feel honoured and humbled to contribute to this historical milestone in cultural diplomacy between Pakistan and Japan, where poets from diverse cultural backgrounds have woven Sakura Fubuki into a tapestry of shared expression through the universal language of poetry.

Hifsa Ashraf
Editor & Curator


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Team

Executive Team

Executive Director
Jamal Shah

Publication Director
Mushtaq Moeeni


Editorial Team

Editor & Curator
Hifsa Ashraf

Translators (haiku)

Hifsa Ashraf (Urdu)
Hidenori Hiruta (Japanese)
Yoshi Hozanshik Kohro (Japanese)

Reviewers & Proofreaders

Nicholas Klacsanzky (English)
Khawar Ejaz (Urdu)
Yoshi Hozanshik Kohro (Japanese)

Coordination & Correspondence
Hifsa Ashraf

Regional Section Overviews
Hifsa Ashraf

Compilation, Design & Typesetting
Hifsa Ashraf

Photo Credits

Front & Back Cover and Sections
Embassy of Japan in Pakistan



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Participating Countries


Algeria
Australia
Bangladesh
Belgium
Bosnia and Herzegovina
Bulgaria
Canada
Croatia
England
France
Germany
Greece
Hungary
India
Iran
Ireland
Italy
Japan
Jordan
Malaysia
Malta
Montenegro
Nepal
New Zealand
Nigeria
Northern Ireland
Pakistan
Philippines
Poland
Romania
Russia
Scotland
Serbia
Slovakia
South Africa
Spain
Sri Lanka
Switzerland
The Czech Republic
United Arab Emirates
United Kingdom (UK)
United States of America (USA)
Ukraine
Wales

-------------------------------------------------

Reviews/Notes of appreciation

Publication highlights by Hidenori Hiruta FOR Akita International Haiku Network, Japan

https://akitahaiku.com/2026/08/19/8-19-pjcas-first-international-haiku-anthology-2026-sakura-fubuki-%e6%a1%9c%e5%90%b9%e9%9b%aa/

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A note of appreciation by Issam on facebook about PJCA's anthology in Arabic. 

https://www.facebook.com/share/p/18rpPLYBR4/
أبدعت الجمعية الثقافية الباكستانية اليابانية (PJCA)، بإدارة وإشراف الهايجن الصاعدة/ حفصة أشرف في إنتاج أول أنطولوجيا تضم نصوص هايكو من جميع أنحاء العالم بأسلوب كلاسيكي يحاكي القصيدة منذ النشأة، ويعطي بعداً يصف العمق ويشهق دهشة تسود بآنية الهايكو الجميل.
الهايكو عندما تراه أعين الهاجين من العالم أجمع، بنكهة مختلفة وتكون تلك التوليفة في ساكورا فوبوكي .. الثمار عالمية .. والنكهات يابانية ..
عندما تضم أنطولوجيا وفي عددها الأول 335 قصيدة هايكو، ومن 45 دولة فهو الإنجاز المبني على الايجابية والعمل وترك التنظير والانشغال بالأشخاص دون النصوص ...
الجمعية الثقافية الباكستانية اليابانية وبالتعاون مع سفارة إمبراطورية اليابان/ اسلام آباد والرائعة حفصة أشرف Hifsa Ashraf شكرا لكم على الجهد المقدر .. وإني سعيد جدا بهذه المشاركة ... وأدعو الجميع للمشاركة في هذه التظاهرة الثقافية الهايكوية بامتياز .

Saturday, May 23, 2026

Rakuen Haiku Association, 2026



war zone horizon—

the dragon's tail curl

around the moon



war memorial—

wild flowers bloom around

the veteran's statue



early morning breeze

daffodils kiss each other

at the roadside stall



remembrance day

the stone lichen hides

a veteran's whereabouts



midsummer rain—

the haveli's courtyard floods

with children's laughter



シャイロックの終わらぬ歎きガザを撲つ

ふっくらと小豆の海に浮かびたし

白玉を茹でて何だか善い人に

夏鳥が帰ればうすき海の色

イルカらの半球睡眠光る海

松村ゆり子




Rakuen Haiku Association’s Rakuen 5, selected by Hotta Kika, Executive Director of the Haiku International Association.Also included two other sections with commentary.

https://www.dropbox.com/scl/fi/4tj759muotvhv5g0kffe5/_-5-3.pdf?rlkey=vy02scdq1d7f7u0knl52knhge&e=3&st=lcwu8khp&dl=0








Sunday, May 21, 2023

World Haiku Series, 2023

 

World Haiku Series 2022 (46) Haiku by Hifsa Ashraf

Haiku by Hifsa Ashraf

peacock flower—
I still am a mother
of the unborn child

#FemKuMag issue 34

鳳凰木 —

私はまだ胎児の母親

——

autumn leaves
raking to and fro
his last words

Presence, #73

紅葉

あちこちで彼の最後の言葉掻き集める

——

sunlit dewdrops
on the grassy field
child’s first poem

太陽に照らされた露のしずく

芝生のフィールドに

子供の最初の詩
—

lake’s mist
unfolding my story
the rorschach test

Wales Haiku Journal, Autumn Edition 2022

湖の霧

私の物語を展開する

ロールシャッハテスト
——

letting go of
what’s not mine
prairie wind

tinywords, 27 October 2022

手放す

私のものではないものを

草原の風
—–

foreign sky—
spotting those stars
I named after siblings

Frogpond, Autumn issue 45:3

異国の空-

それらの星を見つける

きょうだいにちなんで名付けました
——

pink dahlia
enough to count on
this spring

Modern Haiku 53:3

ピンクのダリア

期待するのに十分

今春
——

Paris Agreement
the v of seagulls
lost in the fog

パリ協定

カモメのV

霧の中で消え去った
—-

summer ends
in the birdbath
white feathers

夏が終わる

鳥の水浴び場に

白い羽
—–


https://akitahaiku.com/2023/05/21/world-haiku-series-2022-46-haiku-by-hifsa-ashraf-pakistan/?unapproved=65620&moderation-hash=7022fa4e12c591e511f770dc36a09fa0#comment-65620

Friday, July 1, 2022

5th Edition of Santoka International Haiku Contest, 2022

 5th EDITION OF SANTOKA INTERNATIONAL HAIKU CONTEST, 2022

Out of 213 submissions from 42 countries for the 5th Santoka International Haiku Contest.

HAIKU – WATER

1st PLACE

HIFSA ASHRAF, PAKISTAN

Kofa sa vodom
Mali beskućnik meša
nestajuće sazvežđe

drinking water bucket
a homeless child stirs
the fading constellation

水のバケツ
消える星座を混ぜる
家なき子

https://www.santoka.rs/en/5th-edition-of-santoka-international-haiku-contest/



Monday, May 3, 2021

Akita International World Haiku Series 2020

twilight hush . . .
a cow’s bell keeps
the herd on track

Haiku dialogue- Finding Peace and Contemplation


たそがれ時の静けさ
牛の鈴が鳴り続ける
軌道に乗っている群れ

——-

year of the Ox
avoiding
the scarlet sky

January 29, 2021
ASAHI HAIKUIST NETWORK/ David McMurray : The Asahi Shimbun


丑の年
回避している
緋色の空を

———

revealing
my intimacy block
moon halo

haikuniverse, June 20th, 2020


見せている
私の親密なブロックを
月の円光

———-

refugee food camp
overlapping shadows
of the queuers

The Mamba, Journal of Africa Haiku, March issue #9


難民のフードキャンプ
重なり合う影
列に並んでいる人達の

———-

pulling back
her black hijab
evening storm

Prune Juice Journal, Issue 33


引き戻す
彼女の黒いヒジャーブを
夕方の嵐

——-

city riots deepening the minaret’s cracks

The Mamba Journal of Africa Haiku Network, issue 11


都市の暴動 深めている ミナレットの亀裂を

——-

barbed wire fence
the jigsaw puzzle
of my homeland

Honourable Mention
The Annual Betty Drevniok Award 2020



有刺鉄線のフェンス
ジグソーパズル
私の故郷の

——

sunlit pond
thawing
my old dreams

18th – 24th Feb, Haiku in Action
Nick Virgilio Haiku Association



日の当たる池
解かしている
私の古い夢を

——–

not enough stars
to make a constellation
winter haze

Stardust, issue 50, February

星が足りない
星座をなすために
冬の靄

———–

social distancing circles
the overlapping shadows
connect everyone

Overall Winner (Ms.Hujita selected)

The 3rd Basho-an International English Haiku Competition, 2020

社会的距離のサークル
重なり合う影
みんなをつなぐ

― Translated into Japanese by Hidenori Hiruta
World Haiku Series, 2020 (40)

Monday, March 2, 2020

Akita International Haiku Network, 2019


World Haiku Series 2019 (62)

Unpublished haiku 


hot stones
touching the core
of another life

熱い石
別の生命のコアに触れる

——-

Buddha and Sufi
facing the sun
spring equinox

仏陀とスーフィー
太陽に面している
春分

——-

tranquil koi pond
the yin-yang
of my dreams

静かな鯉の池
私の夢の陰陽

——-

wisteria tunnel
at the end…
my dreams

藤のトンネル
最後に…
私の夢

————————————————-

Published haiku 


plumes of smoke
curl around…
the half-opened roses

Haikuniverse, October 10th, 2019

もくもく立ち上がる煙
うずを巻く…
半分開いたバラ

——-

winter cleaning
moth wings cling
to mother’s scarf

hedgerow #128 (the summer issue)

冬の清掃
蛾がしがみつく
母のスカーフに

——-

summer sky
the kaleidoscope
of my dreams

Stardust Haiku, Issue 32 – August 2019

夏の空
私の夢の万華鏡

——-

sweltering day
the loud sound
of the dripping tap

August 2, 2019, ASAHI HAIKUIST NETWORK/ David McMurray

蒸し暑い日
滴下タップの大きな音
——-

peace negotiations —
a refugee child collects
the bullet shells

hedgerow, spring 127

和平交渉-
難民の子供が集める
弾丸の殻を


——-

sandpiper—
rolling back
the ebb tide

The Heron’s Nest, Volume XXI, Number 2: June 2019

シギ
転がって戻る
引き潮


— Translated by Hidenori Hiruta

Wednesday, June 27, 2018

The 19th HIA Haiku Contest, 2018



Deforestation 森林伐採
a pine tree falls 松は
on its own shadow 自分の影へと倒れ


Hifsa Ashraf(Pakistan) ヒフーサ・アシュラフ(パキスタン)

Honorable Mention - Selected by Toshio Kimura, The 19th HIA Haiku Contest, 2018