Showing posts with label tanka. Show all posts
Showing posts with label tanka. Show all posts

Saturday, August 15, 2026

Kokako, 2026


fireside story—
the last log crackles
into the ending

mountain hike—
the stars I never
named before


wooden planks
in the flooded river
drifting away
the scattered remains
of our dream house


white butterflies
in mom’s kitchen garden
fluttering around
when she returns home
after her full recovery


Published in Kokako 45, the New Zealand literary journal

https://kokako10.wordpress.com/current-issue/



Friday, July 31, 2026

Eucalypt, a tanka journal, 2026


long food queue
a homeless child holds
his chipped bowl—
all day long, it gathers
nothing but dust

Eucalypt 40



Friday, June 12, 2026

Lothlorien Poetry Journal, 2026


temporary shelter
the little smiles
come and go
the little smiles
in temporary shelter


back home
out of the haze
mom's smile—
at the threshold
a crescent moon


midnight solitude
the candle and I
in silence—
whirling around
like a dervish


fading stars
in the foreign sky—
a lone mother
sings a lullaby
to her missing child


summer heat
on the balcony
my silk dupatta
folding in
the lost birdsong


two mynas hop
across the mowed lawn
spring breeze
swaying my thoughts
back to younger years


spring drizzle
leaves behind
petrichor—
this sense of being
beyond being


winter twilight
on the park bench
falling leaves
a void that deepens
my silence


Lothlorien Poetry Journal, Wednesday, 10 June 2026

https://lothlorienpoetryjournal.blogspot.com/2026/06/eight-tanka-poems-by-hifsa-ashraf.html

Saturday, May 16, 2026

Cattails, 2026


winter chill—
the gargoyle's mouth
stuffed with snow


—سردی کی ڻھنڈ
ایک شکلی پرنالے کا منہ
برف سے بھرا ہوا

------


hometown station—
the train whistle fades
into a chai vendor’s call


—
آبائی قصبے کےاسڻیشن پر 
ریل گاڑی کی سیڻی مدھم پڑ جاتی ہے
چائے فروش کی صدا میں

------


rubble dust
on the land
settles in
what remains
after losing all


ملبے کا غبار
خطے میں
بس جاتا ہے
جو کچھ باقی رہتا ہے
سب کچھ کھونے کے بعد


------





Cattails, April 2026

http://www.cattailsjournal.com/issues/cattails261.pdf

Thursday, March 19, 2026

Charlotte Digregorio's Writer's Blog, 2026

bridal mannequin
the price tag
around its neck

by Hifsa Ashraf (Pakistan)

tinywords, Issue 23.2, Jan. 22, 2024
Charlotte Digregorio on July 16, 2026

https://charlottedigregorio.wordpress.com/2026/07/16/the-daily-haiku-with-hifsa-ashraf-kim-klugh-and-sara-winteridge-july-17-2026/#comment-31622

------

grassy trail
in the deep forest . . .
after your departure
I choose not to tread
the same path

Quail Eggs – A Tanka Journal, Issue 4, March 2026

Charlotte Digregorio's Writer's Blog, March 18, 2026

https://charlottedigregorio.wordpress.com/2026/03/18/daily-haiku-carole-daoust-and-daily-tanka-hifsa-ashraf-march-19-2026/

Friday, March 13, 2026

Quail Eggs Tanka Journal, 2026

dad's old letters
back in the drawer
getting pale—
after the birds leave
the winter horizon

      paper boats
      in the rain puddle
      left alone
      until they soften
      and fall apart

Quail Eggs, A tanka journal, Issue 5 - June 2026

https://quaileggstanka.blogspot.com/p/issue-5-june-2026-tanka-doha.html

-----

grassy trail
in the deep forest
after your departure
I choose not to tread
the same path

Quail Eggs, A tanka journal, Issue 4 - March 2026

https://quaileggstanka.blogspot.com/p/issue-4-march-2026-tanka-page-8.html



Monday, February 2, 2026

VSANA, 2026


moonlit night

the cosmic gyre

of the sea 



evening meditation

the galactic rotation 

of my blues 



open sky

blue stardust

spiraling—

in my dream

another universe 


Published in VSANA on the stone of July, Patterns.

https://www.vsana.org/ppp-50-july-1--26




-------

evening prayer 

a drifting leaf falls 

in my cupped hands 


receding wave— 

the folded wings

of a migratory bird


Published in VSANA on the stone of May, Cascata. 

https://www.vsana.org/ppp-49-may-1--26




------

meandering through 

the village alley 

floodwater

fading all at once

the childhood laughter 



returning home

a labyrinth 

of the old trails


Published in VSANA on the Chinese stone of April, Surging.
https://www.vsana.org/ppp-48-apr-1--26




----

thawing mountains

one after another

leave behind 

the lingering cold

of an old war 


----

melting ice—

the barren summits

of glaciers


Published in VSANA on the Chinese stone of March, The Great Respiration.

https://www.vsana.org/ppp-47-mar-1--26



-------

late-night train

through bare trees

in the jungle—

how barren life feels 

after departure



across the foggy lake

the blurred tips

of the city line—

how gloomy life looks

from a distance


Published in VSANA on the stone of February, Dream Stone. 
https://www.vsana.org/copy-of-ppp-46-feb-1--26



--------

melting down
all the old narratives
summer heat
rippling my shadow
into a passing mirage


finding no place
in my war-ruined homeland
before sunset
I wave goodbye
to the last migratory bird

Published in VSANA on the stone of January, The Great Overhang.
https://www.vsana.org/ppp-44-jan-1--26



Thursday, December 18, 2025

FromOneLine Anthology - Meg / Kobayaashi Studios, 2024-25


another week 

passed after betrayal 

autumn moon

this longing to drift

across the darkest sky


-------


none of them had labels the emergency aid 


-------


three copper pennies

overlapped in the well 

forgotten wishes 


-------


the string snapped

of a refugee child’s guitar 

autumn wind 


-------


there are lights 

on Mars


after whispers 

of our gossip drift

above the dark skies


------- 


The Wind of Change


I’ve forgotten too many things while moving to a new house, a deliberate effort to preserve my emotional bond with my family home. As I pack, I realize I am gathering things that hold a little bit of sentimental value. What I choose to leave behind—old vases, velvet curtains, a wooden trunk, worn kitchen utensils, backyard swings, and walnut furniture. Each of these objects are deeply woven into the fabric of my childhood, holding memories that resurface with a glance or touch. It’s my way of staying connected to my childhood home as I know it’s time to move forward into a modern life that may or may not hold the same sense of belonging. 

 

end of summer—  

husks and dust settle

in the balcony bird feeder 


-----------


Dark Shadows 


It was hard to interpret  

the untold miseries  

etched on the faces  

of those forced to leave  

their homeland, their heritage,

their only place to live freely.  


It was hard to interpret  

the words that pierce hearts,  

the wounds too deep  

to heal without miracles,  

the tears that roll  

down the cheeks  

of the helpless, of the vulnerable,  

those without a voice.  


It was hard to interpret  

the silence of old women  

sitting on the rubble 

of time,  

finding no answers  

for why’s been scapegoated—  

a thousand innocent souls.  


It was hard to interpret  

the prayers locked 

in quivering lips,  

unspoken, ungranted, 

until the very end.  


It was hard to interpret  

the peace after massacre—  

still unfolding the wings  

of another war within.  


-----


home alone 


“I can see everything now, can't I?”. I asked this question to myself before lying on the sofa near the window that opens to the garden. I want to make a constellation before going to sleep but the grayish white clouds made me draw the curtains instead. I scroll through the social media posts and find nothing relevant and interesting. I start staring at the roof where I can see the dappled light of the lamp reflecting the tiny stars. It’s time to connect the dots. I made a small constellation with the stars and named it after my childhood nickname. The nickname that I never heard of for years and that still echoes through my memories. I still am not ready to let go of things that were once a part of my life. 


sleepless night 

the flashes of 

distant lightning 


-------


echoing childhood 


“You make me dream of dragonflies, O little rascal!”  she screams from the hilltop.


He is her childhood friend—the one she always wants to be around. After ten long years, she has returned to her hometown, the place woven with the golden threads of her early memories. City life has drained her: routine, noise, deadlines, loneliness but no real joy. So she comes back, searching for some peace and real happiness. 


She wanders through the old town bazaar, where she would come with her parents and her childhood friends. The local park greets her with rusty swings; their creaking sounds seem to recognize her touch.  


Then she climbs the hillside behind her family’s old haveli—the place where she and Sunny once sat for hours. Their evenings were filled with stargazing, chasing fireflies, listening to crickets, and finding shapes in the full moon.


“It was routine back then,”  she murmurs, taking a deep sigh. 


The tears roll down her cheeks, and she lets them fall, unbothered. She screams into the vast sky, but only her own voice returns, echoing through the valley, sharp and empty.


With a heavy heart, she walks back to the haveli…


back home late

the dry leaves cling 

to her shawl


-----------


deep winter night 


“She took the last piece of cake and went back to her room,” everyone whispered at the party.  


She wants to eat it alone—especially after her recent illness, which has kept her mostly confined to her room. It’s their 50th wedding anniversary, and her husband has thrown a lavish party, eager to present their marriage as perfect to his social circle.


He shares a carefully worded post on social media, tagging her too. The steady ping of notifications irritates her, and she puts her phone on silent.


Taking a small bite of the cake, she mutters.

 

“Why do people pretend their imperfect marriages are perfect, especially on social media?”


She tosses her phone onto the bed and moves to the window—her usual refuge when sadness creeps in. Gently, she touches her faded purple scars on her wrists and thinks about her traumatic past. 


Outside, evening fog is shrouding the street lights. She looks up at the sky where the stars are almost dim—barely holding on their light. 


blurred window—  

 she scribbles her initials   

 without her family name 






My 10 poems (haiku, tanka, freeverse, haibun, and gembun) in the latest FromOneLine anthology, Vol 07. The FromOneLine paperback and hardcover versions are now available to purchase from Amazon!



ASIN ‏ : ‎ B0G5NQLPRZ
Publisher ‏ : ‎ Independently published
Publication date ‏ : ‎ 7 Dec. 2025
Language ‏ : ‎ English
Print length ‏ : ‎ 258 pages
ISBN-13 ‏ : ‎ 979-8277722510
Item weight ‏ : ‎ 399 g
Dimensions ‏ : ‎ 14.57 x 2.13 x 22.19 cm

Paperback : https://mybook.to/FOL7
Hardcover : https://mybook.to/FOL7H

https://www.amazon.co.uk/dp/B0G5NQLPRZ?tag=uklinktagbk-21&th=1&psc=1&geniuslink=true

https://kobayaashi.wordpress.com/

---------------------

is it a long way
down memory lane
double contrail

----

the calendar was out of days

hospice wall
shadow after shadow
her memory fades

----

shadows
always find a way
in the backyard
childhood memories
on the wall

----

three keys

hung on a hook
of the family house

since last year
when we are forced
to leave our place

----


they arrived

under cover of rain
wind howling
midnight dreams


out of the blue

in each fold 
of the bedsheet
his last call

winter stars

tears fall
without sound
my lingering grief

----

we gathered
at the end of time


without gravity
we still become
the center of universe




Pages 46, 91, 113, 170, 188, 252


Paperback and Hardback versions are now available from Amazon

Paperback : https://bookgoodies.com/a/B0D9RJVGW7

Hardback : https://bookgoodies.com/a/B0D9XJSVPC


The Paperback is available in India from Pothi : https://store.pothi.com/book/meghan-dargue-fromoneline-unseen/


You can also find the book (with relevant links) on the Kobayaashi site : https://kobayaashi.co.uk/fromoneline-the-unseen/