Friday, November 28, 2025

LEAF, Journal of The Daily Haiku, 2025



city monsoon
munching chai with pakoras
all alone


autumn dusk—
the rain-soaked page
of a veteran’s diary


silent prayer—
a paper lantern drifts
above the clouds


LEAF, Journal of The Daily Haiku, Issue Eight December 2025
https://leafjournal.io/wp-content/uploads/2025/11/Leaf-Issue-Eight-December-Single.pdf

Wednesday, November 26, 2025

Haikuniverse, 2025


family dinner prep—
the dough rises above
our gossip


Haikuniverse, November 26, 2025
https://haikuniverse.com/haiku-by-hifsa-ashraf-11/

Haiku Commentary, 2025

old snow
unfolding mom’s
bridal gown

— Hifsa Ashraf (Pakistan)
ESUJ-H, September, 2025

Commentary from Nicholas Klacsanzky:

The contrast between "old snow" and "bridal gown" jumped out at me. Both are white, but with "old" and "mom's," we understand that both the bridal gown and snow are tainted in some way. From the poem, I get the feeling that either the poet's mother has passed away, or is simply passing on her bridal gown as a form of heritage. Both images point to transience and create a sense of harmony between nature and human life (toriawase).

With the mention of "old snow," I feel the seasonal reference, or kigo, is late winter. With the time being on the cusp of spring, it relates to a new beginning, such as a wedding—especially with the reference to being "mom's bridal gown," showing the passage of time leading to a new future.

The act of unfolding suggests a form of reverence. It also makes readers ponder questions about the haiku: why is the gown being unfolded now? Is this an act of remembrance or preparation? Finally, "unfolding" also mirrors the melting of now.

Though there is no punctuation in this haiku besides the possessive marker, the kireji, or cut, is felt in the line break in line one. However, with the lack of punctuation, the haiku can be read either as two parts or as one flowing part. Both readings are valid, and perhaps the poet wanted to leave more interpretations open for the reader through the lack of punctuation.

The pacing, however, is quite traditional. With a short first line, longer second line, and shorter third line, this haiku aligns with the traditional Japanese haiku rhythm of 5-7-5 sound units (not syllables). Following this rhythm usually allows the poet to make the haiku brief and colloquial in language.

Overall, this haiku embodies the qualities of seasons, subtle emotion, and the revelation that arises from an unforced contrast/comparison that lends to multi-layered reading. 

Published on Novemeber, 25, 2025 on Haiku commentary blog. 

https://haikucommentary.wordpress.com/

Sunday, November 23, 2025

Shadow Pond Journal, 2025


sunlit dune—
the curve of her body
in Sufi whirling

Published in Shadow Pond Journal, November 24th 2025

https://shadowpondjournal.blogspot.com/2025/11/hifsa-ashraf-pakistan.html

Thursday, November 6, 2025

Jalmurra, 2025

first light
on a forest trail
the tapestry of stars

Jalmurra, November 11, 2025

https://jalmurra.wordpress.com/2025/11/11/haiku-2-by-hifsa-ashraf/

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evening clouds
the fog-filled furrows
of a plowed field


Jalmurra, November 4, 2025

https://jalmurra.wordpress.com/2025/11/04/haiku-1-by-hifsa-ashraf/